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How to Light a Cinematic Scene (Without Lights)

cinematic documentaries documentary filmmaking lighting
Sebastian and Simon filming

Lighting is one of the most important elements of cinematography and probably the least understood and least appreciated among beginners. As a documentary filmmaker, you often don’t have time to set up lights or it’s not appropriate to do so, so you’ll mainly be using sunlight.


Mastering Natural Light in Documentary Filmmaking

 So how can you harness natural light so it looks cinematic? Well, in this video I share how to shoot in harsh sunlight without needing expensive equipment in 3 easy steps:


It's also important to note that there are five elements that affect natural light. I'm going to run through what these are now and how you can use them to harness the sun when filming.


Tips For Outdoor Filming in Sunlight


1. Angle of the sun

This will vary depending on the time of day you’re filming. For example, if you’re filming in the middle of the day, the sun will be at its strongest point and right above the subject creating a harsh light on the subject. Whereas if you’re filming at sunrise or sunset, also known as the golden hour, the light will be much softer and create a more dreamlike feel to your image. There’s a handy little app called Sun Scout which I love using when exploring a location before filming. The app tells you where the sun will be positioned at any time of the day, any time of the year. This is super helpful if you need the sun in a certain position as it will tell you exactly what time you need to film so you can schedule your filming around it.


2. Weather

This is the most unpredictable part of using natural light. While we are at the mercy of mother nature, we can reduce some of the frustrations and be better prepared to take advantage of whatever light we are dealt. We can do this by checking the weather reports before filming, observing light-affecting weather in those places, and understanding what might cause certain conditions such as fog or even a sandstorm. 


 3. Diffusion of light

Diffused light is any light that has been softened in some way. It doesn’t have the intensity or glare of direct light. it is scattered and comes from all directions so, rather than casting harsh shadows, instead, it blurs the edges of shadows and seems to wrap around objects giving a nice soft look. The first and the simplest way to diffuse light is to position yourself and your subject out of direct sunlight, for example, in the shade or indoors. You can also diffuse light with man-made diffusers, which are usually large pieces of satin stretched over a frame.


4. Reflection of light

If you want to light your subject’s face because the sun's behind them, you can use what’s called a bounce board or reflector, which basically reflects the sunlight onto your subject. As you can see in the photo below, I used a reflector on the subject so we can see more of their face, because in some cases, the diffused light can make everything look a little bland and flat, so it’s good to give the shot a bit of a lift. The man-made reflector works by simply reflecting the light and directing it towards the subject. If you don’t have a reflector, you can use almost anything flat and relatively bright, like a white bed sheet, a white wall, a window, a mirror, snow, water or even bright sand.


5. Camera position

Beginner filmmakers often think they should have the sun behind them so it’s pointing towards the subject and lighting their face. However, I personally prefer filming into the sun as this gives a lovely light from behind, called backlighting. I love backlight for a few reasons. Firstly, it creates sun flares and I’m a big fan of filming my subject as the sun comes in and out, behind my subject. I’m always looking for shots where I can include the sun. Secondly, it’s easier for your subject to keep their eyes open, as they’re facing away from the sun rather than staring into it and squinting constantly. Thirdly, having the sun behind the subject creates a much nicer even light on their face, whereas if you film directly into the sun you get harsh shadows. And finally, I love backlight because it creates separation from the subject and the background by creating what’s called a halo effect—a glowing rim around the subject. When filming the human face, having the sun behind the subject is almost always more flattering than them being in direct sunlight.


Mastering Natural Light in Documentary Film

Harnessing the power of natural light in documentary filmmaking is both an art and a science. While lighting is a crucial element of cinematography, understanding and mastering the nuances of natural light can elevate your work to new heights. From the angle of the sun to the unpredictable nature of weather, and from the diffusion techniques to the optimal camera positions, every detail matters. As filmmakers, we often find ourselves in dynamic environments where adaptability is key. By embracing the five elements that affect natural light, you can transform even the harshest sunlight into a cinematic masterpiece.


Written by Sebastian Solberg

Sebastian is an award-winning documentary filmmaker whose credits include One Breath and the BAFTA-nominated film The Eagle HuntressHis passion for fostering emerging talent led to the creation of the Documentary Film Academy, an online community and educational platform designed to empower the next generation of filmmakers.

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